Image Chris Gin

Micro-Notes, travel stories of extreme brevity. Much like flash fiction, micro-notes tell a complete story in just a few sentences.

This round of submissions we would like notes on Waking up Far from Home. Can you capture the essence greeting the day abroad in three sentences or less?

For inspiration check out our first round of micro notes.

Please have your Notes in by Friday, November 20th. Submission details below.

What We Want

How you convey your story in three sentences is up to you. Keep in mind that we like ‘place.’ The setting of the story should be so concrete and defined as to almost feel like a character.

OTHER SUBMISSIONS

Packing Lists: In this new series we look at people’s actual packing lists as windows into their travel style and the places they’re going.

Journal Pages: Actual scans from people’s journals as insights into their creative vision and reflections on travel and place.

By the Numbers: Locations and experiences broken down to numbers. An interesting look at people and their interaction with place.

Please submit your micro notes to david [at] matadornetwork.com with “submission: micro-notes” in the subject line. Selected submissions will be published in a compilation here at Matador after the 20th.

Photo: SashaW

Last week we put out a call for Micro Notes.

The goal was to tell a complete travel story–something with character, setting, chronology, and ideally, some kind of transformation–in three sentences or less.

A couple of interesting patterns occurred to me as I read through the submissions:

1. The more writers tried to set up a context or provide background information, the more it worked against the overall effect / power of the story. In three sentences there just wasn’t space.

2. The most effective writing read like Twitter updates. They seemed to assume you as the reader already knew everything, and so the writer needed only to remind him or herself of what was happening or what had happened. They took one particular moment in time and place and reported on it without trying to make it more than it was. Which of course, gives it a chance to be more than it was.

Overall, dozens of people submitted their work. Big ups to everyone who sent something. These were our favorites:

Maya Marie Weeks

In Reykjavik I did much the same as in Grass Valley: walked the streets like a local without a car, drinking coffee, avoiding stepping in dog shit. Space is relative, but the thing about Iceland is the island’s crooked horizon. Not a single one of my pictures turned out.

Alex Blackwelder

I loved China until a married man bit my ear on a train three hours south of Beijing. He told me he loved me, but I pretended to not understand. After he left a kind woman boarded and held me until I loved China again.

Susan Marjanovic

Sitting on an old Carolina porch under wind chimes made from old doorknobs & faucets, playing a tiny toy piano trying to capture the sound of my contentment. Today I planted zucchini seedlings.

Audrey Medina

The four of us spent the morning in pajamas, casting home-tied flies onto the shimmering, duckless expanse of Duck Lake. Hidden among the ponderosas beneath a ridge of Sierran granite, our little tents smelled of fried brook trout, wet dogs, and bourbon spilt from plastic flasks. On the trek back down the mountain, we passed a rusted iron sign that read “Duck Lake 2.0 M;” its pointy end leaning toward a previously overlooked fork in the trail.

Community Connection

Have micro-notes you’d like to submit? Please send them to david [at] matadornetwork.com. We’ll be rounding these up and publishing our favorites ever 1-2 weeks.

In the tradition of Get Your Pen Moving we are introducing Micro-Notes, travel stories of extreme brevity. Much like flash fiction, micro-notes tell a complete story in just a few sentences.

Please have your Notes in by Tuesday, October 13th. Submission details below.

Take a powerful and extreme example from the six-word story by Ernest Hemingway:

“For sale: baby shoes, never worn.”

What We Want

How you convey your story in three sentences is up to you. Keep in mind that we like ‘place.’ The setting of the story should be so concrete and defined as to almost feel like a character.

Community Connection

Please submit your micro notes to david [at] matadornetwork.com with “submission: micro-notes” in the subject line. Selected submissions will be published in a compilation here at Matador after the 13th.