14 Thoughts on Being a Writer in 2010

30 Dec 2009 in Notes on Writing by David Miller
At the end of 2009, David Miller looks ahead to what being a writer might mean in the next decade.

The author in Colorado. Photo: Lau

Now’s the season for year-in-review features and ‘looking ahead’ pieces, the kinds of stories that would seem little more than exercises in banality were they not necessary somehow to our sense of time and place.

Music countdowns, say the “Top 209 songs of 2009,” are perfect examples. By what criteria can we reduce music (or writing, or even people themselves–Traveler of the YEAR!!) into some kind of zero sum game?

Still, it occurs to me that even if the subjects and formats are unoriginal, just stopping and taking time to remember is a very human and life affirming act.

The other day Klaus and Manuel, two raft guides at Lat42Patagonia, asked about what I did. When I told them I was a writer, they asked the default question down here, which (as it should be) is “do you write books?”

“It’s mostly stories and articles online,” I explained. “One day I’d like to collect them into a book though.”

Anyway, the conversation left me thinking about people’s perceptions of what a writer is in 2009, and now looking ahead to 2010. Here are a few notes:

1. Blogger vs. Writer ‘debate’

Don’t waste time posturing or defending or shit-talking anyone in this silly-ass argument. Being a writer (or whatever) in 2010 means getting paid to write what you want to write. Part of this (perhaps all of it) will mean blogging; part will be journalism, fiction, poetry, whatever shape your imagination and work takes.

2. You don’t have to write a book.

As proven by NomadicMatt , you don’t have be writing a book to still be a financially successful writer and get featured in the New York Times

3. If you write a book, you can publish it yourself.

This year, Cory Doctorow showed that you can self-publish your work, give it away for free, and still make money by offering a print on demand option.

4. However, If all you want is to see your name in print, there are plenty of vanity-press operations ready to take your money.

Consider the move by Harlequin earlier this year wherein they began charging writers thousands to self-publish via their imprint.

5. You can make an enormous impact with simple ebook.

Earlier this month, Seth Godin’s ebook What Matters Now became a Trending Topic on Twitter, getting retweeted over 4,000 times.


6. Independent Publishing Houses

Writers seeking traditional book publication in 2010 will increasingly look to independent publishing houses.

7. Writing conferences will focus on social media.

Those attending conferences in 2010 will be bludgeoned by social media ‘gurus’ with pie graphs showing the correlation between your followers on twitter and your potential readership.

8. New forms

Hint Fiction, Micro-Notes, Segmented Essays, and other new forms of writing will become increasingly common, as writing continues to be optimized for reading on screens.

9. Multimedia

Writing / publishing / reading via mobile devices will lead to more experimentation with multimedia.

10. Real-time composition

New technology such as Google Wave combined with back-channel conversations being an increasingly important element of media events will mean that writers and journalists in 2010 will publish more work created in “real-time” as opposed to the the traditional process of drafts which are polished and edited before publication.

11. Revitalization of tribes

The democratization of media / disbanding of large publications will lead to writers building new communities in 2010. These include both official communities which exist online such as Fictionaut, SixSentences, or Matador, or just crews of writers who are associated with one another (via collective projects or similar styles), and thus can help mutually promote their work, such as the crew who runs HTML Giant.

12. Continuing Education

Looking beyond grad school and MFA programs, writers in 2010 will find increasingly relevant training and skills via online writing programs and learning centers.

13. Transparency

Whereas writers have traditionally had to make ethical choices when writing about places or stories to which they had material connections, writers in 2010 are essentially free to write about whatever they want, take whatever story they want, as long as their writing has an underpinning of material transparency.

14. Self Promotion

Although many writers may claim they didn’t go to journalism school to “sell themselves,” writers in 2010 need to find how they can best promote their personal brands.

Become a travel writer!

MatadorU is the most supportive, engaging, and innovative course for helping students accelerate their careers as travel writers and new media professionals. Join Us!

Community Connection

Happy New Year everyone! How do you see being a writer in 2010?

Transitions Abroad Travel Writing Contest : Last Chance to Submit

You have little more than one week to enter the annual Transitions Abroad travel writing contest.
Photo : Ronn Ashore

TRANSITIONS ABROAD Narrative Travel Writing Contest deadline for submissions is Jan. 2, 2010.

Transitions Abroad is focused on educational, responsible and culturally rich travel. Your piece should reflect what you have learned from native peoples and their cultures - and how you have put your new awareness and empathy into action.

Your ORIGINAL UNPUBLISHED story should be between 1,000-3,000 words. The winner brings home $500, second-place grabs $150, and third-place gets $100. Any other articles selected as runner-ups will get $50.

Include a short BIO with your links. Any photos that enhance your story are welcome.

For all the fine print and submission guidelines visit Transitions Abroad.

Notes on Ceremony and Nochebuena (Christmas Eve)

24 Dec 2009 in From the Editor by David Miller
On Christmas Eve, David Miller ponders ceremonies, music, snow, and as usual, transcendence.

The author in Colorado Flatirons. Photo: Lau

NOCHEBUENA is the “good night” before Christmas.

Here in Argentina it’s also when Santa comes–the kids staying up until 12 when it switches to actual Navidad and a family member dressed as Santa appears pillow-stuffed and possibly wine-drunk at the door. Presents are distributed. Everyone stays up all night. This is the answer for those who ask how Argentine kids seem to have no bedtimes but can still get up and function each morning. Like most things it comes down to imagination.

Birthdays are the same. No sense in wasting good nocturnal hours. I found myself promoting this earlier in the summer on a cross-country drive from Colorado back to Georgia. My bro Will Kimzey and I had committed to “Oklahoma in the dark” a new and spontaneous manifestation of our blow-it-out-in-a-single-push road trip style. PFunk was in heavy rotation. Once the clock got to 11:55 a.m. I started watching it carefully for my surprise happy bday bust-out. You can’t miss a second.

Right now our neighbors the Colques are hacking their back yard with a gas powered weed-eater, the preferred lawn tool in Patagonia perhaps after the machete. Not having any portable stereos, they’ve been parking cars back there the last several nights, pumping cumbia beats, playing soccer, and having the inevitable water fights.

The music takes me back to a Nochebuena in Colorado, 2005. After a day of fresh pow at our local mountain, Eldo, I got back to my truck and KGNU’s Latin Christmas tunes.

Even though most of the songs were simple sons and rhumbas about things like christmas trees and eating roasted pig, something about the juxtaposition–the Rocky Mountain snow still floating down and filling in the lines I’d left in on the mountain (another pow day tomorrow), my hands and face still stinging cold, but this music on the radio that could’ve only come from someplace warm and near the ocean–all of it combined in a moment of transcendence where it felt like I could almost make out ‘where we were headed’ (towards this music). It was a moment of both ultra stoke and nonspecific loneliness, and I think there may have been a bit of sacred weeping.

It’s difficult for me to register events or contextualize emotions without there being some kind of soundtrack. Certainly iPods have stifled some of the spontaneity and chance that post snowboarding parking-lot moments like these might turn transcendent, the DJ down in the valley seeming to pick each tune in a way that helps your life push downstream a little smoother and maybe with a bit more reach and gamble and appreciation than if you’d chosen your own playlist.

But then it’s all a matter of how the day unfolds. Yesterday morning I was reading Kierkegaard’s journals and listening to Outkast at the same time, an overtly discordant pairing until the track “Unhappy” came on and Big Boi sang, “might as well have fun cuz your happiness is done when your goose is cooked.”

Layla just woke up and ran in here naked, holding two of her “babies” and asking for her morning jugo. I’m reminded again of how it works. It’s time to slice oranges. Merry Christmas.

Tales From the Road: Renewal

24 Dec 2009 in Tales from the Road by Tim Patterson

Reading travel stories on the banks of the Mekong River. Photo: Mekong Semester

Tim Patterson rounds up great travel stories from Myanmar, Palestine, Nigeria, Patagonia and Mile 300 of the Alaska Highway.

Arriving home for the holidays for the first time in five years is bound to generate some nostalgia. A few days ago I was scrambling to catch flights in Hong Kong, Los Angeles and Newark; now I’m in an armchair by the fireplace in Vermont, a new Ted Conover book on the table and snow falling outside.

There are lots of things I miss about home while traveling, one of them being this weekly column that rounds up the best narrative travel writing on the web. Now that I’m moving to Colorado to settle down in one place for a spell, it seemed like a good time to revive Tales From the Road.

The original column was published on Brave New Traveler, where you can still access an archive of quality travel stories. After exchanging a few e-mails with David Miller, however, we decided to move Tales From the Road to The Traveler’s Notebook.

Check back each week for a collection of travel stories from around the world. If you find a story that would be a good fit for this column, please leave a link in the comments section or e-mail it to me at tim(at)matadornetwork.com.

Happy Holidays. I hope you enjoy the stories.

Photo: Tim Patterson

1. On a Slow Boat down the Irrawaddy River by Jim Johnston

Any travel story that features a gregarious 28-year-old blond named Svetlana has a good chance of making this roundup, but the people of Myanmar are the real stars of Jim Johnston’s leisurely journey down the Irrawaddy River.

The more I learn about Myanmar, the more I think it’s important for travelers to go there, see the place for themselves and tell the outside world about the reality of life under a military dictatorship.

Reading the Irrawaddy news magazine is a good way for prospective travelers to keep abreast of political events in Myanmar.

2. The Coldest Morning, by Eva Holland

My friend Eva recently moved to the Yukon, a transition that involved a winter road-trip across Canada. This dispatch from Mile 300 of the Alaska Highway captures the romantic lonesomeness of long drives in cold snow.

3. One Night in Palestine by Cory Eldridge

My top candidate for the best feature blurb of 2009:

Cory Eldridge only smokes when he’s drunk or in the West Bank. During one tense night in Jenin, he goes through a whole pack.

4. My Friend, the Nigerian Militant by Dan Hoyle

Dan Hoyle has produced a humble and poignant portrait of a former militant seeking uncertain redemption in Nigeria. Detailed scenes that range from luxury Abuja hotel rooms to Nembe Creek in the Niger Delta complement Hoyle’s laconic descriptions of casual violence and political intrigue, giving the whole story a powerful sense of credibility.

Photo: David Miller

5. Notes on Finding a New Home River by David Miller

David Miller’s latest post from Patagonia exemplifies what I love most about Matador: the way real lives of real people come through so strong through photos and words.

It’s all about material transparency, as David would say, with minimal distance between the writer, the reader and the words.

This is how it works behind the scenes here at Matador – paddling downstream on the currents of our mutual appreciation for people, travel and place.

Community Connection

What narratives of travel and place are you reading right now? Please let us know in the comments section below.

Be a Renaissance Writer

23 Dec 2009 in writing support by Joshywashington

Becoming a Renaissance Man or Woman isn’t easy but it will make you a better writer and yes, a better person!

A RENAISSANCE person has developed skills in a number of disciplines. Well versed and accomplished, they strive to better themselves in as many fields as possible.

Achieving maximum Renaissance-hood is admirable for anyone, but for travel writers, being well rounded in a number of fields can lead to more creative and productive life.

GET PHYSICAL

You are a creative. You skipped gym for the writers club and eschewed the soccer team for the school play. However, being physically adept is a key component to your new Renaissance status. Aside from exercise contributing to positive mental health, a true Renaissance person knows that the body must be cultivated as well as the mind and spirit.

This doesn’t mean you must be an Olympian. Visit the gym. Bike and hike. Walk with friends or take David’s example and kayak down a river.

Whatever you do just make sure your body is moving. Your mind will thank you when you are sleeping better, thinking more clearly and feeling stronger.

GET ARTSY

Already an avid writer? Then paint, sketch, sculpt or photograph. Diversify your creative outlets by including fields you have never tried. It could be as simple as grabbing some watercolors or taking a walk with your camera. Spend time pursuing artistic skills that will compliment your existing talents. Branch out and start writing in different forms and genres. A Renaissance person should be able to compose anything: a poem, an essay, or a short story, over a single latte.

Each artistic field you engage will only serve to strengthen your writing practice and your new Renaissance lifestyle.

GET MUSICAL

I know, you think you can’t sing. But try. Learn to play an instrument or pick that old horn your folks spent a fortune on. Being musically inclined was a key component of the ideals of the Renaissance. If you are musically hopeless then cultivating a broad appreciation for music is second bet. Get savvy on classical music and learn to identify some of the seminal composers and their best known works.

GET HEADY

The keystone of a Renaissance person is an active and adroit mind. Many Ren. folks of the past were prominent scientists and philosophers. One was expected to have a working knowledge of the science of the times and important philosophical subjects.

A good place to start to get brainy is The Internet Encyclopedia of Philosophy. Study up on the major players that have shaped human thought and come to the Christmas conversations with a new philosophical prowess!

GET TALKING

People aspiring to the Renaissance Ideals were expected to speak and understand several languages. If those high school Spanish classes didn’t leave you fluent then start with some common phrases. Find a language group and meet to chat and to practice.

Us traveler types have no excuses in this Renaissance dept. Grab some software, study abroad or online…whatever you do, get speaking in a new language.

OTHER RENAISSANCE LIKE TENDENCIES

*Pubic Speaking *Animal Husbandry *Sommelier *Architecture *Finding Truffles *Traveling the World *Reciting Poetry *Preparing Perfect Salmon * Social Service *Invention *Medical Knowledge *Web Design *Carbon Sequestering *Map Reading *Sword Fighting *Improvisational Theater *Blogging *Beer Brewing *Calligraphy

It takes time and effort to become a Ren. Person, but the pay off is a well rounded, creative, healthy and intellectual life that will enrich your travels and your writing.

Alright, da Vinci, let’s see what you got!

COMMUNITY CONNECTION

What do you think it takes to be a well rounded “Renaissance” person? Have you known any Renaissance people in your life? What made them different?

Looking to become a better writer or make the leap to professional freelancer?

MatadorU is the most supportive, engaging, and innovative community of students and teachers anywhere on the web. Together, we’re helping students accelerate their careers as travel writers and new media professionals. Join Us!

3 Sites that Get You Writing Now!

22 Dec 2009 in writing support by Joshywashington
Here are 3 creative and engaging websites get you writing instantly.
Photo : greekadman

WARNING: The following websites are so full of writing prompts, collaborations, games and exercises, you might start writing whether you want to or not.

LANGUAGE IS A VIRUS

Language is a Virus.com has dozens of writing exercises, prompts, games and collaborative writing experiments. Going one step further, Language offers book publishing/selling support. This is a site that could easily threaten even the heartiest excuses for not writing and keep you busy for hours.

WRITE OR DIE

Write or Die.com doesn’t want to tickle you into writing, it wants to push, poke, and punish you into writing. Select a desired word count, time limit, grace period and consequences. The latter two selections determine how the website reacts to your productivity.

If you are not typing fast enough to meet your goals the screen will blink pink then red. On the less forgiving “evil” modes, your words begin to disappear if you stop writing. You can also set a lofty word count goal and track your progress on a widget badge for your blog. Fun stuff!

WRITE SOMETHING

An “Endless Senseless Collaborative Book”, this site urges you to write what you are thinking quickly, contributing to the 5,000+ entries of this strange stream of consciousness. Spewing whatever comes to mind in complete anonymity is not only fun, it’s addicting!

COMMUNITY CONNECTION

What sites get you writing? Do you respond best to exercises, prompts…threats? Please leave links in the comments below.

Looking to become a better writer or make the leap to professional freelancer?

MatadorU is the most supportive, engaging, and innovative community of students and teachers anywhere on the web. Together, we’re helping students accelerate their careers as travel writers and new media professionals. Join Us!

Notes on Finding a New Home River

21 Dec 2009 in Notes From Road by David Miller

Rio Azul, just below confluence. All photos by David Miller.

Three weeks after moving to Patagonia, David Miller paddles a river almost too good to believe.

SOMETIMES ALL IT TAKES is showing up. This occurred to me during the hike into the confluence of Rios Azul and Blanco near El Bolsón, Patagonia, pausing for a moment to rest the knees and study the terrain–the two rivers dropping out of steep notches in the cordillera, then joining in the valley where I could hear whitewater hundreds of meters below.

Today was a paddle day. I was coming to visit Shea Jordan and the crew at Lat42South for a Sunday run down the Confluence section of the Rio Azul. They were looking for another safety kayaker and I was looking for (after being down here pretty much solo for three weeks), my gente.

We let the world become more complicated than it needs to be. Know who your tribe is and you’re most of the way there. It doesn’t matter if I’m in Seattle or San Juan del Sur: my gente are the people who go up and down mountains and rivers and waves.

Just before reaching the bottom of the road I met up with a local kid, maybe 25, named Federico. He was going on the trip as a passajero (test dummy). We got down to the river, hiked upstream and then crossed a dilapidated footbridge. The river flowing below was totally clear.

Chacra on the road to the confluence.

This was my first time seeing any of this part of the Andes, essentially the base of the glaciated peaks I find myself constantly looking at from town.

Unlike the US and other parts of the world, there are no trophy houses built up on the mountainsides. Most of the population lives in the valley, in town.

There were still people back here but they were essentially gauchos, people who lived an agrarian life on small farms.

We ascended several more switchbacks, then the trail rounded off at a broad saddle of land above the confluence. Knolls of pastureland, gently sloping, rolled down to orchards and gardens with small outbuildings set into the hillside, the grass covering over the roofs.

Inside, Shea and and several other kids were sitting on the sofas. I was introduced to Claus and Manuel, two young raft guides who lived nearby. Omar, Shea’s business partner from Buenos Aires, was also there. We talked about the run today, the river level.

Cellar / outbuilding at La Confluencia.

I realized I was witnessing (and in some way, participating in) something amazing. After spending what seems like my entire youth hanging around different rivers and raft companies that had been in business for decades, here were these kids setting up a brand new one, on an essentially virgin stretch of river, a place that had been run so few times only a couple spots even had names.

Shea took me on a quick tour of the lodge. The building was shaped like a shallow V with dormitories on one wing and a private suite plus office / library on the other.

The two were joined via a common area with a deck overlooking the gorge. The lower level was all open with a kitchen plus huge walk-in pantry (stacked floor to ceiling with fruit preserves they’d canned themselves and herbs from the garden) on one side, then a lounge area with ping-pong table and TV on the other.

At the center was a massive wood-burning stove and sofas. Everything was made out of rough-cut native cypress, and the main level walls were straw bale with adobe. It was an ideal juxtaposition: you could hear the river down below, see the mountains all around, and there was WiFi.

Take out of Confluence section through local sheep farm.

We went outside then, past the parilla (grill), then up the hill to the spa, yoga room, plunge pool, and, at the very top, the hot tub. Shea showed me some of the mechanical rooms, and he explained how a small scale hydroelectric turbine powered the whole place, along with a methane processor that transformed waste materials into gas for cooking.

We didn’t go out to the fields, but Shea explained how guests were served food that was all produced here locally.

They also hosted WWOOF volunteers at different times during the year. There were two volunteers here now, both improbably beautiful girls from the Czech Republic.

The entire ‘operation’ was obviously something that Shea’s family had put decades of learning, experience, vision into. It was a working example of land-use, food production, and integration of local (and worldwide) communities and economies, all based on an ethic of environmental stewardship and sustainability.

Next we stopped at boat shed. Shea was taking down a Necky Chronic; I grabbed a Wavesport ZG + gear. (The rest of the crew would be taking down a high-performance raft called a Mini-Me).Then we waited for the Manuel and Omar to get back from running shuttle (they were leaving one of the trucks down at the takeout and coming back on a motorcycle).

Terminator. Classic class III/IV rock jumble with epic boof line.

While we hung out on the porch, Claus asked me the series of questions that inevitably ends with “why did you move down here?”

I told him:

Es una cosa cultural. It’s not that we don’t like the US. It’s just that there’s something down here about the culture.

Take this for example. Two days ago I called up Cristian Ferrer [owner of a rafting operation on lower section of river]. I called him de la nada (‘out of the blue’) and told him I was a paddler who’d just moved to town and was hoping to meet some other boaters.

He was like ‘che, I’m heading into town right now, let’s meet up.’ And so we did. He invited me back to his house, and to go paddling that day. That’s how I met Shea and Omar. Then you guys invited me here. It was all one flow.

It’s not that this couldn’t happen in the US, but it’s just different. People back there have a million things to do. They need to check their calendars. They need to ‘check your references’.

The idea of operating on flow and buena onda still exists, but it isn’t part of the culture like it is here. People schedule dates for their kids to play with each other. We just wanted our daughter to grow up with a different onda.”

Claus nodded and looked at me in a way like he was really listening, really hearing this. I thought for a minute how strange it would be if the roles were switched, if I were back in the US listening to some Argentino explaining why he moved there.

A few minutes later Manuel and Omar came back and then we all suited up and carried down to the water. I couldn’t quite believe how, if you stayed or lived here, you could literally just wake up in the morning, whip up some breakfast, check the internet for a while, then walk down the stairs and go boating in water that was pure enough to drink.

Put in at Rio Azul. Water is totally potable.

On the beach, riverside, the raft crew had a safety talk while Shea and I got in our kayaks and ferried back and forth between two eddies. The river was clear and cold and different shades of blue and green that flowed through the Baldivian (mostly species of beech trees + cypress) forest.

I cupped my hand and drank right from the river, a first. Totally savoring this, a new home river. A new local crew. Stoke is an immediate feeling. Gratitude is stoke sustained. Somehow I was feeling both as we peeled out from the eddy and floated down to the first rapids. This was only the beginning.

Community Connection

For more information, please check Lat42South as well as the lodge’s site, La Confluencia.

Additionally, Shea’s dad, Mark Jordan is a co-creator of the exceptional CIESA, an ongoing educational and research project focusing on sustainable agriculture in Patagonia.

Free Online Resources for Writers: AudioBooks

19 Dec 2009 in writing support by Joshywashington
While traveling over the holidays, audiobooks are a great way to pass the time while gaining insights into writing and storytelling. Here’s a list of free audiobooks online.

REMEMBER the good ol days of sitting around the radio listening to nightly programs? Me neither. Do one better by listening to some of the thousands of free stories and interviews that are available online.

Librivox.com provides free audiobooks from the public domain. Librivox’s archive of works within the public domain is HUGE! Granted, the selection is pretty arcane, but there is something comforting knowing you could listen to volunteer readers recite Aesop’s Fables and the 9/11 Commission Report.

Wired for Books is good for writers who want to spend many long hours listening to interviews and readings by some great authors.

From Wiredforbooks.com :

“For many years, most of the best writers of the English language found their way to Don Swaim’s CBS Radio studio in New York. The one-on-one interviews typically lasted 30 to 45 minutes and then had to be edited down to a two-minute radio show.”

MORE FREE AUDIO BOOK SITES

Learn Outloud.com
Featuring “40 of the top free audiobook downloads available online” including such hits as Pride and Prejudice, Heart of Darkness and War of the Worlds.

Podiobooks.com
Podiobooks has about a zillion serialized audiobooks, most of which are provided by no-names under Creative Commons.

Audio Books for Free.com
With free audiobooks selectable under categories such as “Adventure”, “Terrorists”, “Space Travel” and “Philosophical”, audiobooksforfree.com seems to have a little something for everyone.

Free-books.org
If you can get past the dated web design of this site you have over a thousand free audiobooks at your finger tips.

iTUNES
A search of the iTunes store for “free audio book” reveals over 90 podcasts to subscribe to.

COMMUNITY CONNECTION

Do you listen to audiobooks? How is the experience of listening to a story different from reading one? Let us know what you think in the comments and if you have more great sites for free audiobooks hook up the links!

MatadorU: The Lives of Travel Writers in the Modern World

17 Dec 2009 in writing support by David Miller
After putting in nearly 7 months creating MatadorU, we’ve been looking forward to this moment. Our first waves of students are graduating, and we get to hear their assessments of the course.

Matador Editor David Miller at ‘the office’.

YESTERDAY A RECENT graduate, AdventureRob, had this to say in his candid review of MatadorU’s travel writing curriculum: “The course doesn’t just concentrate on travel writing, but life as a travel writer in the modern world.”

It’s funny how hearing other people describe something can make you look at it with a new perspective. I never would’ve thought to express it this way (I never think of myself as living the “life of a travel writer” even though that’s the life I have essentially), and yet somehow this statement points at something fundamental about the course as well as something we like to call the Matador “vision” itself.

The other day I met Christie Pashby, a professional guidebook writer and director of the Patagonia Travel Company. We took a float trip down the lower whitewater section of the Rio Azul. She was asking about Matador, and then we realized she’d actually contributed to one of the very first articles here on the Traveler’s Notebook.

More than anything, Christie seemed to be lamenting the disintegration of old-school media, saying (with regards to blogging / creating a personal brand), that she “didn’t go to journalism school to ’sell herself’.”

I told her I understood completely. The motivations behind one’s need to write and tell stories are often antithetical to earning a living. So when there’s a structure in place that allows you to do both (such as traditional journalism over the last several decades) you want to see it continue to progress.

But what I love about the media revolution, the “modern world” that Rob alludes to, is that it essentially is a progression of the old school. The elements of good reporting, good writing, good storytelling are universal whether you’re blogging or working on a profile for your local paper.

What’s happened though, is that as media has become democratized, liberated from location, traditional ‘training’, and workplace hierarchies (among hundreds of other changes) the new paradigms are unfamiliar.

What’s happened though, is that as media has become democratized, liberated from location, traditional ‘training’, and workplace hierarchies (among hundreds of other changes) the new paradigms are unfamiliar.

As I talked about yesterday, we have no map.

This is where MatadorU comes in. In essence it all comes down to a question Christie asked me: “Are your students actually making it?”

“It’s early,” I told her, “But yeah. We’re already seeing students making the leap to becoming fully independent freelance writers . Others we’ve pulled aboard our team. It’s not overnight, but yeah, I can honestly say that it’s working.”

The thing is (and I think I can safely speak for everyone who participated in the creation of MatadorU), there’s no real credit to be taken on our part as far as students’ successes. This is perhaps the greatest lesson of MatadorU, and the way in which it most closely aligns itself with new school paradigms of becoming a professional writer, blogger, or whatever: it comes down to how bad you want it, how much energy you’re willing to put into it.

And a close second to this is the way we tend to organize ourselves into tribes. What’s now a social media buzzword, and one of Seth Godin’s bestsellers, has been known to teachers forever. As I said a few months ago during one of the more spontaneous and lucid moments in an interview (I get nervous during interviews and tend to drink beer) at Travel Writer’s Exchange:

“It’s not coincidental that many of the original staff and members of Matador have backgrounds in education. Teachers are different. We’re always seeking to build community.”

The bottom line is that at Matador we embrace new media and respect the vision of those who choose to support themselves traveling, writing, filming, recording, and taking pictures around the world. This is our tribe. MatadorU is just a way for us–both students and teachers–to help each other add our names and lines to the map.

Community Connection

How do you apply your training and skills as a journalist to the new media revolution? Please share with us in the comments below.

Would you like to join MatadorU but don’t have the funds? Do you know someone who would love to receive MatadorU as a gift?

Send a Gift Tuition request to MatadorU to friends and family, or send MatadorU as a gift and help a loved one accelerate his or her career as a new media professional.

What if the internet had a map? [Community Voice]

16 Dec 2009 in Community Voice by David Miller
In this new series we look at musings, notes, ideas, and narratives straight from Matador Community Members’ blogs. We start with an idea by Marie Szamborski, known at Matador as ThreeSpoons.

Internet map by The OPTE project

AFTER READING the following post by Marie, I started wondering how to visually represent what she was talking about.

Then I found (duh) there actually are people mapping the internet via IP address as well as other metrics which, to be honest, I don’t really want to even try to understand.

Marie wrote:

When I start reading a blog or a Tweet by someone I don’t know and then click on one of their contacts’ blogs or something else on their page, it seems I inevitably end up on the page of someone I know from Flickr, Twitter, my own blog readers, Matador, etc. How is that? Are we all getting our contacts from each others pages or is it just that the people you are friends with just have the same taste as you? I’d really like to see a drawing of the map I take when on the net and how it matches up with the map of others. Do they have that yet? I’m sure I’d be going round in circles and eventually passing through the circles of others.

–from Social Networking: How would it work in real life?

Marie goes on to describe a scenario wherein the virtual friending or unfriending of social media contacts plays out in the real world. You simply meet someone and instantly, effortlessly accept or reject them.

But what I loved more than anything about this post was the notion of just going around in circles, bumping into others, and the inherent tendency to form tribes (something Seth Godin would surely approve).

What speaks to me, what interests me about social media, microblogging, ambient awareness, location ‘independence’, accelerated culture (Does that term still apply? Does twitter make us ‘post-accelerated’ culture?) basically the entire amorphous realm of computer mediated communication, is that there really is no map, no precedent. Like Marie, I could use a drawing.

Community Connection

From the very beginning of Matador we’ve been stoked on the voices and exchange of ideas coming out of our community site. To make sure more of these ideas, photos, and blogs reach more people, we’ve begun pulling the best of the community blogs up into the Network sites. To participate, please join the Matador Community!

How to Create a Photomotion Video

Your love of photography meets your love of video in the form of photomotion. String hundreds of photos together in a video to create a unique visual style and a new way of conceptualizing your travel photos.

Image: B. Sandman

Creating a photo montage is a wonderful way to creatively use photographs to tell a story. But to create a photomotion video (also called stop motion) you need a little planning to capture successive images to convey movement through static images.

Import and string together the photos in your editing software. Shown quickly and in succession the impression of animated movement is impressive and whimsical. There are many ways you can use this technique to create killer video experience with an everyday camera.

As an example I have created my own photomotion video for you to enjoy. It is the result of snapping over 500 photos over several hours with my wife in downtown Seattle.

MY PHOTO-MOTION VIDEO

STEP 1 : HAVE A PLAN

Brainstorm what your story is and where you want to go. Pick interesting actions and locations to photograph and get creative with what motion you can convey with photos. You may plan movements or shoot the action as it naturally unfolds, it’s up to you. Planning your movements gives you more control over the end video but capturing the natural movement of a place is very interesting as well.

STEP 2 : CAPTURE MOVEMENT

What is special about photomotion videos is the illusion of movement. By snapping several pictures within the span of a second or two you may capture the
movement of your subject. Whether it is soccer players or sidewinders, when the photos are displayed quickly, one after the other, the images come alive.

The easiest way to capture the images you need is to use a sequential photo setting on your camera. These settings allow the shutter open and close quickly by simply holding down the button.

If your camera does not have a sequential photo setting then you are going to need a little more patience and planning. Take pictures of yourself and anything else that moves, and think cinematically.

STEP 3 : TAKE TONS ‘O PICTURES

This type of photo concept takes lots of pictures to pull off so don’t be afraid to shoot like crazy. You always discard the photos you don’t use. The more images you capture the more colorful video you may produce.

STEP 4 : EDIT FOR MAXIMUM COOL

Once you have your photos shot, use your video editing software to present them in a fun and energetic way. The shorter the duration of each photo, the more movement you will be able to convey. I present each photo in my video for .2 seconds.

Play around with different speeds and find something that feels right to you. Craft your video using the most interesting photos and sequences to form some sort of story and utilize music to set the pace and feel of your video.

HERE ARE A FEW MORE KILLER PHOTO-MOTION VIDEOS, YUM!

Trying to find new markets or become a successful travel photographer?

Grab Matador’s Free Report 15 Publications That Pay
For Travel Photography
and help accelerate your career as a photographer.

8 Ways of Seeing People that Can Sabotage Your Writing

14 Dec 2009 in Notes on Writing by David Miller
The way you write begins with the way you look at the world, at people.

IT’S NO original insight that being a writer is a problematic gig vis-à-vis your mental health.

This seemed evident again on the way to the bank last week when I saw a Mapuche man with the perfect look of a TV or movie ‘Indian chief’ only he was dressed more or less like me (jeans, collared shirt) and stood on the sidewalk unwrapping a stick of gum.

Suddenly I thought of a short story or perhaps feature film idea where the protagonist’s brain is wired so that whenever he sees someone, their clothing, hairstyle, jewelry, all magically revert back several generations to their original ‘ethnicity’.

In this case the Indian man would have on skins, possibly war paint. The girl of what appeared to be Spanish descent walking by us with the ass-enhancing pantware would instead have on some kind off Medieval gown. My wife (of Swiss, German descent), would be sporting an Oktoberfest maiden’s beer serving apparel and Teutonic braids. That sort of thing.

Of course even as I was visualizing all of this I realized that (a) trying to apply any kind of reductionism to one’s ethnic lineage seemed dubious and deluded and borderline dangerous, (b) presenting people this way was far less interesting and life-affirming than seeing their ‘real’ reality right at present time, ground level, (c) part of this idea occurred surely because I have a tendency to reduce people this way myself, say 14% of the time–not appearance-wise, but more a form of cultural / behavioral stereotyping, and (d) the beleaguered protagonist could be played by Ashton Kutcher in a ‘breakout’ production which somehow involved Twitter, Larry King, and the first ever “real-time major motion picture experience with live social media back chat.”

Actually I just invented that last one. By the third or fourth step past the Mapuche man I’d already given up on the idea.

Instead of contriving a story arc wherein Kutcher’s character learns to ‘see people for themselves’ (the payoff of which would surely hinge on a make-out scene with someone ambiguously ‘ethnic’ (but definitely hot)), I began to think about ways of seeing people that can sabotage your writing. Here’s what I have so far:

1. Romanticizing someone else’s life (Ex.: A mountain guide in Ecuador.)

2. Appropriating someone else’s problems / struggle as your own. (Local people being displaced by newer, wealthier immigrants or tourism.)

3. Believing that someone is a “father / mother / brother / sister figure”

4. Making assumptions based on cultural heritage.

5. Isolating people from time / place / family relationships so that they become, essentially, symbols or simply props for the narrator or author’s ego.

6. Attributing the emotions someone made you feel (especially if you’re observing them from a distance instead of interacting) back to them. (Ex. “The carefree Cuban woman.”)

7. Dismissing material / economic connections between yourself and others (The “incredibly affable taxi drivers,” in Costa Rica.)

8. Seeing people exclusively through the filter of strictly-held philosophical, religious, or artistic beliefs / aesthetics.

For travel writers moving quickly through a place, it’s easy to fall into the trap of writing quick notes or impressions, which by default tend to reduce people to symbols or caricatures.

More difficult, more time consuming, is digging for the people’s voices and stories over time and finding common ground in spite of cultural differences, language, and geography.

Finally, how to ‘overcome’ problematic ways of seeing people? The first step is obviously recognizing when you’re doing it. Just being self aware–knowing that you have certain ways you look at things and being as transparent about it all as you can–goes a long way.

It goes without saying as well that none of the above are really 100% fixed “rules” or anything. For example, you could portray a scene where you broke # 5 and still write a compelling piece. It just becomes a question of how much you want to focus on place and people vs. your own experience.

Community Connection

As writers, what choices do you make when it comes to including people in your stories?

How do you present them so they aren’t just props?

Tips for Travel Video : Shoot good B-roll! (and lots of it)

B-roll footage is your best friend. It can cover mistakes, give you more options when editing, set the scene and forward the story.

Photo : Thomas Hawk

The term “B-roll” refers to footage that adds meaning to a sequence or disguises the elimination of unwanted footage.

B-roll is not your primary footage, it supports and establishes visual evidence for what the speaker or narrator is referring to and sets the scene in which the story unfolds.

If the speaker is commenting on the wealth of fresh local produce, the B-roll would probably include shots of people shopping for fruits and veggies at farmers market.

B-roll is usually not scripted but is discovered. It is improvisational. You must develop an eye for it. Understand what story you want to tell and look for people and actions that will bring the viewer deeper into that story.

WATCH THIS VIDEO AND NOTICE THE GOOD USE OF B-ROLL FOOTAGE

B-roll can be captured after your primary footage has been shot and reviewed. For instance, in an interview you may hear something that compels you to capture more visual evidence to enrich the story. You would then shoot B-roll footage that supports the speaker and cutaway during the interview to your B-roll, placing the narrative audio over the footage.

B-roll is not only a storytelling device, it is also your band aid. Cutaway to B-roll footage to hide a zoom, cover verbal or visual tics and to add life to a interview that may otherwise not be visually compelling.

OTHER NOTES ON B-ROLL

In order to have B-roll, you must have A-roll footage, or footage that is your narrative thrust.

Shoot lots of B-roll. Especially if you are traveling and will likely not see your location again soon. You don’t have to use it and you never know what footage will come in handy to illustrate a point or provide further evidence for your narrative.

Shoot your B-roll from different angles and perspectives. Close ups, pans, ground level, over head…when capturing B-roll cover your bases.

It should be noted that many travel videos consist only of B-roll. These are usually montages and have no real narrative thread. Go beyond the basic travel music montage and develop a narrative thread while you chronicle your adventures. The result will be a much richer and rewarding travel video.

COMMUNITY CONNECTION


Other posts you may enjoy…

Tips for Travel Video: Use Voice Over To Tell Your Story

4 Easy Tips for Shooting Better Travel Videos

WITNESS Video Tips: Filming, Audio & Using Cellphones

Use Hemingway to Improve Your Travel Writing

How Hemingway’s lean prose can help Travel Writers.
journaling

Photo by Jenny Williams

Hemingway’s Iceberg Model

In Death in the Afternoon, Ernest Hemingway states good writing is like an iceberg, only 1/8ths visible, the remaining 7/8ths underwater. In other words, a well crafted story lets the reader’s imagination take over.

One of the goals of travel writing is to put readers in the places we describe and have them come away feeling as if they were really there. In a time when many travel writing markets are online and attention spans are short, Hemingway’s Iceberg model still works better than ever.

Here are eight ways to avoid exposing the entire iceberg, global warming be damned:

1 – The universe likes action. It also likes speed. Use a variety of verbs, keeping “is” in any tense to a minimum.

Editing exercise: Try going through your manuscript and cutting or rephrasing every to-be verb. Example: Whole iceberg: He is an old man. 7/8ths: He bent over the cane, and shuffled forward, a step at a time.


2 – Easy on the articles and personal pronouns.


Editing exercise:
Go through your manuscript and cut out every the, an, a, that you can.

3 – Use the first person narrative like salt. It should enhance the story’s flavor without overwhelming it.

Editing exercise: Pick out anywhere in your story where the first-person narrative runs wild, then question: “Does all of this really belong here, or is it part of a different story?”

4 – Pick your adjectives carefully. One brilliant descriptor equals three mediocre ones.


5 – The perfect noun
will help with adjective selection. Same goes for verbs and adverbs.

Editing exercise: Research the subject of your story until you fully understand the precise nouns, verbs, and adjectives. Is it a sailboat or a sloop? And when it capsized, were you tacking or jibing? Are the waves mushy or hollow? Go back through your manuscript and replace general words with the perfect ones.

6 – Use photos, music, and other sensory tools to help communicate the essence of what you’re writing about.

7 – Remember you are telling a story. Read it out loud.
If it feels awkward, bring out the editorial scissors. Probably 75% of the original draft can be cut without losing the narrative flow.

8- Use description to convey emotions. This is also known as the object correlative. Check here for more details.

Examples from Real Life

In a book review I recently wrote on The Soul of the Rhino by Hemanta Mishra, my original draft came in at exactly 1000 words. Although interested, the environmental magazine’s editors wanted something “short and snappy”. I did not hesitate, cutting what I considered brilliant passages and segues to my own life. Four fifth’s (80%) of the text succumbed to the “Delete” key. The final version, at little over 200 words, will be in print this summer.

Conclusion

Let your knowledge and passion resonate cleanly in the sentences you create. And remember that the beauty of a story is what lies beneath, its fluid movement connected to the small part that shows.

By the Numbers: Trans-Canada Road Trip

9 Dec 2009 in By the Numbers by Eva Holland

All Photos Eva Holland

Eva Holland crunches the numbers on a cross-Canada drive from Eastern Ontario to the capital city of the Yukon Territory.



 Starting Point: Ottawa, Ontario



Finish Line: Whitehorse, Yukon



Days on the road: 12



Days spent actually driving: 9.5



Kilometers driven: 7866



Time zones visited: 4



Provinces and territories passed through: 6



Dollars spent on gas: $960.98



Highest gas price paid: $1.19 per litre



Lowest gas price paid: $0.84 per litre



Cups of coffee/tea consumed: 24



PB & J sandwiches made and eaten roadside: 4



Power Bars choked down while driving in lieu of a lunch stop: 3



Fast food meals eaten (including Veggie Delite subs and Tim Horton’s bagels): 6



Fast food meals eaten (not including Veggie Delite subs and Tim Horton’s bagels): 1



Cups of Mr. Noodles prepared in gas station microwaves and consumed while idling in the station parking lot: 1



Strangers at gas stations who spotted my Ontario plates and told me I was “a long way from home”: 3



Days in which that sort of exchange was my most substantial conversation with another human being: 4



Gas station restrooms visited: 17



Gas station restrooms with sketchy malfunctioning locks that resulted in a trucker walking in on me: 1



Establishments dubiously named “The Beaver Motel” spotted en route: 2


Motel rooms rented (not at The Beaver Motel): 4



Dorm beds crashed in: 2



Friends and relations imposed on for couches, hide-a-beds and spare rooms en route: 3



Outrageously marked-up pay-per-view movies purchased in motel rooms: 1



Number of minutes spent waiting in line to see “The Twilight Saga: New Moon” in a mining town in northern British Columbia: 30



Number of times I was served by an Australian on a WHV at a coffee shop/restaurant/hostel in the Rockies: 5



Wildlife spotted roadside: 1 buck deer, 10+ elk, 4 coyotes, 2 bighorn sheep, 1 grizzly bear, 1 bald eagle, 5 moose, 1 fox, 60+ bison



Giant roadside “world’s largest” sculptures visited: 3



Number of times I topped up my wiper fluid: 4



Number of times I cleaned caked-on mud off my headlight covers: 3



Number of times I forgot to clean my headlight covers and drove blind through the darkness for an hour, following the tail lights of the car ahead of me and hoping for the best: 1



Days I spent dreaming about my next trans-Canada trip: Days 1 through 9



Days I spent vowing never to do another trans-Canada trip, and questioning why I ever wanted to do the first one: Days 10, 11



Days I spent dreaming about my next trans-Canada trip all over again: Day 12

COMMUNITY CONNECTION

Who doesn’t like a good road trip? If the open road is calling you check out 6 Rules of the American Roadtrip & The Great Matador Roadtrip: Vancouver to San Francisco

Expand Your Vocabulary Now

8 Dec 2009 in writing support by Joshywashington
Start flexing a larger vocabulary now with these simple tips.

AskOxford.com reports that there are at least a quarter million words in the English language.

The average English speaker only utilizes a small fraction of words but as writers we tend to have an insatiable lust for a larger lexicon.

Step 1: Read

Rule numero uno is and always has been, read. A writer must be a reader, a voracious, spellbound bookworm. That is, after all, where all the good words are! Read different genres and disciplines for each has its own unique vocabulary. Read novels, histories and poems. Read nonfiction, magazines and blogs. Go word hunting through as many literary landscapes as possible.

Step 2: Record

When you encounter a word you are unfamiliar with write it down in a special journal or a piece of paper you use as a book mark. I like to take a blank sheet of computer paper and write down new words while I utilize it to mark my spot. I look up the words daily and re-write them down with a definition.

Step 3: Repeat

After you identify and record the new word say it out loud and if you are so bold, practice it in speech. The more you say it the more you are likely to retain your fledgling word. So flaunt your new words to strangers on the bus.

Resources

A thesaurus should be your best friend. Paper is sooo last century, so put thesaurus.com in your navigation bar and use it often. Read through your last few blogs or writings. What words do you use often? Look these up and start swapping fresh words that fit the same meaning. Dictionary.com can also translate over 50 languages so don’t hesitate to start educating yourself on foreign words that cross your path.

To locate the meaning of a word look no further than Google. Google’s Define Operator works by simply typing define: followed by the word in the Google search box. Like define: travel

Should you not know how to pronounce your new 5 dollar word head to howjsay.com,
 a free online Talking Dictionary of English Pronunciation. Type in any word and a stately gent speaks it back with with pitch perfect pronunciation.

Put your vocab boosting on auto pilot by signing up for a word of the day email. There are tons of Word of the Day services like Oxford English Dictionary, Merriam-Webster , Dictionary.com.

However I particularly enjoy Wordsmith.org, and also Urbandictionary.com

If you are ready to take you love of language to new heights, check out The Free Dictionary.com.Word Games, articles, quotes, a toolbar and a customizable homepage make this one of the ultimate lounge sites for language lovers.

Here are a few words to get you started:

  • anathema 1. A detested person or thing. 2. A curse of the Church, excommunicating someone or denouncing a doctrine, or a person or thing so cursed. Her new boyfriend is anathema to me.
  • bellicose Eager to fight; warlike. Jimmy and his gang were in a bellicose mood.
  • emacity A fondness for buying things. During our trip to Paris, my wife demonstrated her remarkable emacity.
  • halcyon Originally referred to a mythical bird said to calm the winds and the waves. The phrase “halcyon days”, referring to an idyllically happy period is occasionally incorrectly turned into “halcyonic days”. Remember those halcyon days at university?
  • imbroglio A confused or complicated situation. Jeff tried in vain to explain how he had got himself into this imbroglio.
  • laconic (of speech or writing, or a speaker or writer). Brief, concise, terse. Mark was in a strangely laconic mood at dinner.
  • operose Involving or displaying a lot of effort. That has to be the most operose way of changing a light bulb.
  • paucity Smallness of number or quantity. We canceled the embroidery classes because of a paucity of attendants.

  • turpitude Baseness, depravity, wickedness. She felt depressed by the turpitude of modern society.

If your knew more than 5 of these then you already flex a meaty vernacular, good work!

COMMUNITY CONNECTION

What are your vocab boosting tricks? For that matter, what is your favorite word?

  • Notes on Sadhus Getting High

    7 Dec 2009 in Notes on Writing by Robert Hirschfield
    Robert Hirschfield looks at ceremony and how the “mystery of continuity in the presence of collapse” occurs not in the otherworldly, but right at ground level.

    Photo: jmhullot

    THE TWO OLD sadhus at the Trevini Ghat in Rishikesh were always smoking ganja. They would suck their fat paper horns into their mouths in a way that was so erotic watching them seemed indecent.

    I’d heard lots of stories about sadhu stoners. They always made me defensive. I wanted to believe the sadhus kept alive an ancient solitude the world had let die. I wanted to believe they got high only on tridents and lingams and things like that. Until I encountered those two at the Trevini Ghat I never saw proof to the contrary.

    Their getting high, I soon realized, was just one part of a benign ceremony that included marathon chatting and robe mending. Their robes were of wrinkled, gashed, pre-historic saffron. Beyond the healing of needle and thread.

    Why even bother? Maybe just the need to push along the mystery of continuity in the presence of collapse. I imagined a couple of old ladies on a porch in the Midwest passing time.

    Time, I say, not timelessness. The holy men’s tokes and chatter, the shuttling of their needles, blew away my fantasies of sadhu otherworldliness as if they were images on a Tibetan sand mandala.

    Community Connections

    What ceremonies and traditions have you encountered in your travels that broke away from your preconceptions? Please let us know in the comments.

    For an interesting look at Western perceptions of (and issues with) Indigenous cultures, check out Christine Garvin’s recent piece at Brave New Traveler, The Rights and Wrongs of Traditional Cultures.

    Notes on the Old-School Media Beatdown

    4 Dec 2009 in news by David Miller
    With news of National Geographic Adventure folding, Matador Editor David Miller looks at people vs. institutions and the need to keep your eyes downstream.

    I HAVE NO interest in media deathwatches. I published a few pieces on newspaper circulations taking massive hits a couple months ago, and am over it. We all know (I think) where this is going.

    For me it’s always about people, places, and communities, not institutions. So that said, yesterday’s news that National Geographic Adventure was folding made me sad for the writers and editors who lost their jobs, and how this will likely play out at ground level (the fragmentation of what I imagine to be a very soulful and tight community), but I’m not 100% sure that, as Steve Casimiro said, “outdoor culture is far emptier for this news.”

    Outdoor culture is made emptier when a beloved person (Shane McConkey comes to mind) or place (say, a river being dammed) is lost. But the institutions themselves, whether media companies, magazine, or gear companies, are still only peripheral. They’re always in the wavelike process of forming, swelling, breaking, and reforming. At least that’s how I see it.

    After getting laid off from USA Today, Travel Editor Chris Faust’s goodbye to USA Today blog expressed similar remorse. This firing wasn’t just his team getting axed but an affront to the institution of journalism.

    She writes, “What bothers me the most is what my firing represented. See, I’ve been learning all the tricks that a modern multi-platform journalist is supposed to know. In the past 22 months, I’ve blogged, tweeted, shot photos and videos, and handled speaking engagements…I hustled and I cajoled and I ended up out on my ass anyway…I’m a true believer in the power of journalism. I walked into my first newspaper office when I was 16, fell in love with deadlines and chaos, and never looked back.. . I felt it was a calling, more so than a job.”

    These freelancers-slash-entrepreneurs are smart. They are nimble. And now they are my role models, as I join their ranks.”

    I like how Faust looks downstream at freelancers “creating niche businesses, busting up the paradigm.” She writes, “These freelancers-slash-entrepreneurs are smart. They are nimble. And now they are my role models, as I join their ranks.”

    And if anything, I respect Faust for looking ahead, and I respect the NatGeo Adventure editors / officers for simply calling it and moving on as opposed to flailing (like the Dallas Morning News section editors now reporting directly to sales managers) or in some way undercutting their original vision.

    All of this leads me back to Matador. From our start in 2006, the vision has always been to enable writers to take the path of least resistance between place, story, and reader. It’s something that never could’ve existed pre-internet, but at the same time is an ethic born out of relating to place and community in the most on the ground, person-to-person way possible.

    As a writer and old-school journalist myself, my initial instinct was to press CEO Ross Borden towards coming up with some kind of print manifestation of Matador. An anthology perhaps, a monthly print edition. I felt it would be a validation of sorts.

    Ross was always looking farther downstream however, and could already see a new direction–readership, community, and media based on blog networks–as the future. This blog in particular, The Traveler’s Notebook, was the first we decided to launch. It would help give people tools and resources for becoming new school travel writers and journalists.

    From here we’ve put everything we’ve learned into a new media learning center, MatadorU. As I said earlier, I’m not interested in seeing old school journalists getting beat down. I want to see people with stories worth telling, regardless of institutions, get the audience that they (both the writers and the stories) deserve.

    Community Connection

    How are you, as a writer and / or journalist, dealing with the revolution taking place in publishing and journalism? Please let us know in the comments.

    Are you a travel writer in need of learning social media skills?

    Sign up for MatadorU and accelerate your career.

    Notes on Hiking up Mt. Rainier

    Once again Josh scrambles up a mountain with his brother Dustin to enjoy the view from Mt. Rainier at 10,000 ft.

    Camp Muir, named for studly naturalist John Muir, sits on the Southeast flank of Mt. Rainier, some 4,500 ft from the summit. When the weather is clear the hike up the glacial fields to the popular climbers bivouac is relatively easy.

    Rainier is the tallest in the Cascade mountain range and the lesser peaks seem to lap at the slopes of the dormant stratovolcano like little waves.

    If you are day hiking to Camp Muir check the weather, pack warm clothes and make sure your camera has plenty of juice! The only thing better than a great hike on a perfectly clear day is shooting awesome video of that hike!

    Take shots from different angles and perspectives to show the change in environment and to keep your audience interested. Most importantly, be safe and have fun!

    If you enjoyed this video check out our hike up Mt. St. Helens!

    Community Connection

    Do you have a favorite day hike? Share your suggestions and favs in the comments below.

    The Incredible Photography of Trey Ratcliff

    2 Dec 2009 in Photo Essay by Joshywashington
    Trey Ratcliff, stuckincustoms on Flickr, is perhaps the web’s hottest travel photographer. He weaves magic into his photography giving it a vibrancy that leaps from the screen. Here is a brief sampling of his work.

    Trey has a huge online following, especially on Flickr( Where he has over 19 million photo views!), and has been granted many awards and honors including 2008 Blogger’s Choice Awards Nominee – Best Travel Blog. Check out Trey Ratcliff’s website and blog at www.stuckincustoms.com

    Community Connection

    Trey uses a technique called HDR to achieve his signature look. Do you use any photo editing software or do you prefer to go all natural?

    Trying to find new markets or become a successful travel photographer?

    Grab Matador’s Free Report 15 Publications That Pay
    For Travel Photography
    and help accelerate your career as a photographer.

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