Notes from Zion

31 Jul 2009 in Notes From Road by Kyle Smith

Zion National Park. Photo: Wolfgang Staudt

Recent notes from Roads Scholar Kyle Smith, fresh out of Zion.

When I first pulled into Springdale, Utah a dusty little tourist trap of a town just outside the southern gate of Zion National Park I have to admit I didn’t really get it.

Maybe it was the overly adorable names of the shops such as the “DeZign Gallery,” or it might have been the 110 degree weather scorching my skin rendered pallid by the inside life of a New Yorker, but I was immediately glad I would be spending two days in town, opposed to a lifetime.

The more people I met, the more I was confounded by how the cast of characters in town–which would seem a better fit for a John Irving novel than a small Utah town–managed to call Springdale home.

Wearing my Yankees hat, I made fast friends with a New Jersey-born, former Alaskan fisherman who now runs an art gallery in town and lives in a trailer behind it. He offered to close down the shop and take me on a hike the next day in the park, an offer I gladly accepted. Then there were my gracious hosts at the small family run B&B where I stayed.

Kyle, stoked in zion.

The lady of the house who ran the day to day operations (while her husband tended to other family businesses in town), treated me to a surreptitious glass of wine out on the back patio while her husband and kids were off about their days.

Having married into a Mormon family, which she acknowledged was a religion with never-endingly amusing contradictions, she is not really supposed to drink openly, though as she informed me, drinking in the closet is a Mormon tradition as prevalent as publicly refusing alcohol.

“You know why you should always take two Mormons with you when you fish?” she asked me with a smirk, “Because if you take one, he’ll drink all your beer.”

Cooking breakfast while his tiny Pomeranian dog dressed in a rhinestone studded pink scarf yapped about his heels, the chef of the house smiled as he told me that he “stuck out in this place like a 6’2 gay man in a small Mormon-owned town.”

I asked him why he would choose to live in a town like this. He asked me if I had been into the park yet.

As much as I love to shake up the established order of things even I, a white heterosexual male, know better than to flaunt my leftward leanings in hostile (conservative) territory. I asked him why he would choose to live in a town like this; he asked me if I had been into the park yet. I hadn’t.

Getting up bright and early before the afternoon sun could come in to bake me alive, I met up with my hiking guide in front of his closed-for-the-morning gallery to head into Zion for a hike. 3 hours and 5 miles later, standing on top of Angel’s Landing high above the Zion Canyon floor I got it.

Sure, it might be hard to find a good cup of coffee, and you might have to live under the watchful gaze of holier-than-thou polygamists, but damn, you don’t get views like this in Brooklyn.

Community Connection

This is the first dispatch from Kyle Smith, who is the first ever Roads Scholar. To learn more about the Roads Scholarship, please check out Digital Vagabonding. Big up.

5 No-Tech Ways to be Creative While Traveling

Watercolor by Josh Johnson

Here are 5 old school ways to be creative without benefit of WIFI, wires, keyboards, or kilobytes.
Watercolor

Watercolors are cheap, portable and easy to use. A few bucks will get you a watercolor set and a few more will get you a decent brush. In the hands of a master, watercolor is a magical medium indeed. In the hands of the rest of us watercolor is both fun and forgiving. I created the watercolor above while watching the sun set in Krabi, Thailand.

Collage

Take ordinary objects from the world around you and arrange them to tell the story of your journey.

Ticket stubs, jotted notes, newspaper clippings, currency, postcards…anything that offers a glimpse into the world you are inhabiting will take on an especially exotic air after you return to your seemingly mundane “normal life”.

Sketch

As our Journal Pages feature shows, sketching is a powerful way to flex your creative muscles and immortalize the moment while traveling. You don’t have to be an amazing artist, you simply need to grab a a pencil and start doodling.

Music

If you are traveling with a guitar or bongos on your back this is obvious, but making music shouldn’t exclusively be left to musicians. We all have the ability to drum a rhythm or hum a tune. Here’s an idea, grab some friends milling about the hostel or campsite and have an impromptu drum circle or sing along.

Music is perhaps the oldest art form and has been a part of building community, telling stories, relaxing and expressing creativity since times unremembered.

Poetry

Poetry grants the poet freedom to express beyond the limitations of form to express beautiful and abstract experiences. Your travel poetry need not be long or formally structured. Boil an epiphany down to a few raw ideas and words that evoke emotion.

Community Connection

What are your favorite no-tech ways to get down with your creative self? Share with us in the comments. And holy amazing analog creativity Batman, check out these journal pages!

We had our slingshots out and knives drawn.

29 Jul 2009 in Notes From Road by David Miller

Black Bear. Photo: Matt and Bess

David Miller’s notes from another evening in the Rockies.

1. Japhy and Kieran run into the house breathing hard saying they just the bears. “Two big bears and a cub!”

“So what did you do?” Segundo asks.

Their breathing slows and Japhy says “I just stood there with my jaw dropped. We were following Asia into the woods looking for squirrels. Then she started barking like crazy. This big bear was like 15 feet away. There were these really small tight pine trees. I turned and ran and out.”

“So you did exactly the opposite of what you’re supposed to do?” Segundo says.

“Well my first reaction wasn’t to yell,” says Japhy. “But then I yelled and screamed. Kieran was just up from me on the path and started yelling that there was another bear like 60 feet up.”

2. Japhy is Segundo’s son. He just turned 13. Kieran lives up the hill. He’s 11. They both have slingshots and sheath knives tucked into their belts. Japhy actually has a sheath knife plus a bayonet from and old M1 rifle.

3. “Was the ‘cub’ the juvenile we’ve been seeing?” I ask. They’re not sure. But Kieran says “We had our slingshots out and knives drawn.”

4. Just before the kids came in, Segundo had put on rice and chicken for dinner. Now it’s almost ready. Miles Davis has been playing on low the whole time. Kind of Blue. Like everything Segundo does it’s all about calming down. He’s a fire and rescue volunteer. At any time he could get a call and be first on the scene at, say, a motorcycle vs. car along the Peak to Peak Hwy.

5. The boys keep standing there. Then Segundo says “alright you guys have 10 minutes if you want to go tell Mike what happened. And then dinner’s ready.” They scramble off.

Tomorrow we’re fixing the door to the trailer. One of the bears ripped if off while we were all away last weekend.

6. An hour later now, writing with the last bit of light. Segundo steps out of the house and tosses out the slop bucket where we’ve just washed our dishes. “I’m going toes up,” he says. “See you in the morning.” Tomorrow we’re fixing the door to the trailer. One of the bears ripped if off while we were all away last weekend.

7. I wonder what Miles Davis would’ve thought if he’d heard the boys telling that story over his music running on solar panels in an off-grid house at 9,200 feet.

8. Will comes back from visiting friends. We light a campfire. It’s dark now and the bears are holed up down in the pines somewhere. We see a flashlight coming from the house. It’s Japhy, come to see Will and tell the story again.

Community Connection

Like animal stories? Yesterday we published a collection of animal tales from the Matador Community. Interested in submitting notes from the road? Submit to david[at]matadornetwork[dot]com.

You Got Your Pens Moving: Animal Stories from the Matador Community

Photo: IRRI Images

After reading this week’s submissions, I am fully convinced that animals need to make more appearances in our travel writing. In these stories, they provide comic relief, metaphors, and suprising new perspectives on human affairs.

Enjoy these excerpts from your fellow Matadorians’ work!

“People a lot smarter than me wear hats or pith helmets in the jungle. I had to wear those silly-looking helmets for 3 years in the jungles of Panama, years ago. They make you sweat, and then, the leather headband shrinks and crushes your skull. I’m not working for the government now, so when I go in the jungle, I wear or don’t wear whatever the hell I want to.

I never saw the spider I came across. I walked right into his web. It was at just the right height across the trail to wrap my whole head and the upper half of my body in stuff you could use as a substitute for Super Glue, only it stinks worse.

While I was cussin’ and flailin’ around trying to wipe the mess off of me and my trail partner was laughin’ his ass off, the spider was probably spinning a new web !

Solution: Wear a hat? Hell no! Get a taller trail partner and let him lead the way!”

Michael Lynch

Photo: Ken Mayer

“Cockfighting is legal in Guatemala although even some Guatemalans are unsure of its legality. This lack of knowledge speaks to the mystery surrounding the blood sport. Few Guatemalans are capable of telling you where to find a cockfight if asked and even fewer possess concrete details pertaining to fights. Your best chance at gaining admittance to a cockfight is through connections. I was fortunate to have just such a connection.

My university professor in Guatemala, whom I shall call Roderigo, was the uncle of a weekend gallo fighter, Gabriel. Was I interested in seeing a fight of Gabriel’s, Roderigo asked. Of course, and we were off one Saturday evening to the cockfights.

We drove to the house of Gabriel, on the fringe of Guatemala City. Luis, Gabriel’s father, was waiting for us. Roderigo had only just parked when Luis opened my passenger-side door and whisked me (“Rapido, rapido, Aaron ”) into his home. He had never before had the chance to explain his gallo-passion to a foreigner.

He showed me to a study in the back, and through the windows I could see the family’s rooster coop behind the house. “Special windows,” Luis said,pointing to the doubly-thick panes, “No hear cuckoo.” I glimpsed only one rooster occupying a cage before Luis took me by the sleeve and rushed me back towards the driveway (we were late for the fights), but it stood in profile to me: proud, meditative, mysterious.”

Aaron King

“Were they going to charge at me? I had never been so close to one cow before, never mind an entire herd! I continued to approach them and when just over a metre away they started to run in the opposite direction. I didn’t expect such large animals to be so timid.”

Dan Massie

“Pushing his nose through the glass shards, mangled steel, and dilapidated bricks of a former palace, now destroyed, he trots along the sidewalk. Stopping briefly to scratch his spotted white and black neck with his long, slender legs.

‘Don’t you realize there is a war going on?’

Ignoring the hulking, armored vehicles as they drive past, he continues foraging through the rubble. He doesn’t care about the politicians or their wars.

The “weapons of mass destruction,” roadside bombs, religious tensions, and suicide bombers wreaking havoc on cities mean nothing to him. He won’t shed a tear for the mothers and fathers not going home to their children, or the children being buried by their loved ones. He just wants his next meal.

Panting, and without filling his stomach at the palace where people once gorged themselves on luxurious feasts, he darts into the darkness.”

Michael James

Community Connection

There have to be more great animal stories out there–tell yours in the comments.

Got great ideas for future “get your pen moving” prompts? Share them in the comments!

How to Improve Your Travel Writing with Anecdotes

Lagos, Nigeria, TrafficLagos, Nigeria. Photo: Lola Akinmade

Here’s an actual excerpt from our upcoming Travel Writing School, a quick lesson on how to use anecdotes to improve your travel writing.

When writing a travel story, sometimes you have a minor character or incident that doesn’t fit well in the plot, but which, if included, would add a particularly rich detail or reinforce the story’s overall theme. This is when you need to utilize anecdotes.

Take the following example from a story about a typical day in the life of a young woman with her family in Lagos, Nigeria:

“You get Punch? How about Guardian?” my mom yells out in pidgin English to a newspaper vendor racing alongside the car in traffic. Balancing a stack of newspapers on his head with a few stuffed underneath both armpits, he skillfully pulls out a Punch and exchanges it for a 10 Naira note. Twenty years later and now 100 Naira a pop, this daily ritual of buying Punch Newspaper remains.

Up until this point in the story, the reader has only been given details of the family at home: the mother cooking breakfast, the girls putting on their uniforms and getting ready for school.

Although the girls are moving quickly to get ready for another day, overall there is a very orderly and peaceful sense about the house (which is also the theme of the story–the strength of family and ritual). So when this anecdote of buying a newspaper is presented, it works in multiple ways, making the reader feel as if he or she has suddenly gone from the peace of the house into a much faster-moving world outside.

Also notice how the anecdote ends with a good transition right back into the story: “Twenty years later and now 100 Naira a pop, this daily ritual of buying Punch Newspaper remains.”

An anecdote works best when it returns the reader to the story with a new sense of understanding or awareness of the characters.

Not only does this transition move the reader back into the story, it also serves to reinforce the theme, the daily ritual.

An anecdote works best when it returns the reader to the story with a new sense of understanding or awareness of the characters.

Remember this when you’re deciding whether to include an anecdote. If it’s an amusing or interesting incident on its own, it still isn’t necessarily good for the story unless it adds to the theme, setting, or reader’s visualization of the characters.

Community Connection

Want more Travel Writing tips? Check out our focus page at Matador on How to Write.

Want to learn the craft of travel writing?

Sign up for Matador’s new Travel Writing School and get the skills you need.

Cuzco, Peru By the Numbers

27 Jul 2009 in By the Numbers by Hal Amen
Plaza at night, Cuzco

All photos: author

Matador Trips editor Hal Amen takes a look back at a month spent in the tourist capital of Peru.

Days in the city: 30

Sick days: 1

Days it rained during the dry season: 8

“Inca massage” offers: at least 200

“Inca massage” offers accepted: 0

Times I changed my mind on whether I liked “Cuzco” or “Cusco” better: 2

Plates of delicious ceviche eaten: 6

Plates of non-delicious ceviche eaten: 0

Guinea pigs eaten: ½

2-for-1 pisco sours consumed: ummmm…?

Approaching the Plaza de Armas, Cuzco

Random parades seen in the Plaza de Armas: 12

Times I was called “amigo” by a stranger: 300+

Hours spent in Spanish classes: 60

Spanish gaffes despite hours spent in Spanish classes: Don’t wanna know

Times I was led to a fire extinguisher (extintor) shop when trying to buy an extension cord (extensor): 1

Taxis taken: 0

Times I turned down a taxi due to my friends’ getting taxi-kidnapped in Arequipa: 5

Pictures taken of the famous 12-angled Inca stone: 0

Pictures taken of people taking pictures of the famous 12-angled Inca stone: 1

Times I wished my hostel’s advertised wifi was actually wifi: 60

Times I considered moving to a different hostel: 60

Hours spent in Norton’s Tavern uploading Matador articles: nearly infinite

Excellent vistas of the city enjoyed from the heights of San Blas: 30

Pig head at San Pedro Market, Cuzco

Giant pigs heads I gawked at at Mercado San Pedro: 5

Plates of ¼ chicken and fries ordered from the guy on Choquechaca: 3

Tamales picantes purchased from the incognito lady outside Gato’s Market: 10

Jogs up the Cuesta San Blas in a desperate attempt to get some exercise: 15

Oral advertisements heard for the “Psychedelic Times: Summer Edition”: 7

Times I was offered weed in San Blas: 3

Dogs seen doing it: 30

Community Connection

For more travel by the numbers, check out this Notebook archives page.

Montana Road Trip: Yellowstone

25 Jul 2009 in Video by Joshywashington
What do you get when you mix thousands of square miles of wildlife sanctuary and an ancient, smoldering subterranean super-volcano ?
Why Yellowstone, of course!

Join the Brothers Johnson as they venture into Yellowstone to sneak up on buffalo and stop and smell the geysers.

Road Trip Montana

Josh & Dustin Johnson took a week to do a whirlwind tour of the Big Sky state. Watch their previous videos Montana Road Trip: Heading to Yellowstone & Notes from the Road: To move under the Big Sky. Next Episode: Glacier National Park!

Subscribe to MATADORNETWORK on YOUTUBE.

Interview with David Farley: On the Holy Foreskin, Writing His First Book, and More

Eva Holland spoke to renowned “walking party,” first-time author and Matador member David Farley about his new book, An Irreverent Curiosity: In Search of the Church’s Strangest Relic in Italy’s Oddest Town. The story follows Farley’s search for the holy foreskin in a tiny Italian hilltown that was affectionately known as “the village of freaks.” See our accompanying review on Matador Goods.


So, the holy foreskin, eh? How did you find yourself studying such a bizarre footnote to Christian history?

I sometimes asked myself the same question—especially during the periods of self doubt. But having studied European history in college and grad school it seemed like the perfect subject for me: this unusual relic has been looming about the periphery of various historical periods and movements, from the Middle Ages to the fury that inspired the Reformation to the 19th-century Romantic movement. It was a fun challenge in writing the book to put the relic into a historical context for each period.


Your book actually began life as an article in Slate, right? At what point did you start thinking there was a full-length travel narrative in the making, and how did you make that transition from article to book?

Actually, a book was my original intention. But writing the article was a great first step. Plus, in the back of my mind, I had hoped the article would get enough attention that it would help me sell the book. And, in fact, that’s exactly what happened. The blogosphere went crazy over the article, people were talking about it on the radio, and people from the publishing world were emailing me asking if I’d sold the book yet. I often tell my writing students that the easiest way to sell your book is to write an article on the subject in a high-profile publication.

Was it a tough balancing act over there, between making friends, researching your book, learning Italian, and, I assume, writing for a living as well? Any advice on how writers can balance all their commitments while tackling something like a book project?

It wasn’t so difficult. I had fully absorbed myself into the village and into the history of the relic and the area. It all pervaded me to the degree that nearly everything I did could have been part of the narrative that would become my book.

As for magazine and newspaper assignments, they came much easier than when I’m back in New York. One fast-track way to getting assignments is to move to a country often featured in travel publications—like, say, Italy. You’ll get story ideas and angles much easier, you’ll appear “an insider” to editors because you’re living there, and you’ll come delightfully cheap since no one has to pay for you to fly across an ocean to get there.

The rolling hills of Calcata, home of the Holy Foreskin / Photo: draks


When you were still in Calcata, were you thinking ahead to the writing, and going, “Man, I need a dramatic climax to this story,” or were you too wrapped up in the mystery itself to think that far ahead?

I was hoping to have a conclusion that was less speculative, but I didn’t know what. Until I heard (from a Vatican insider) what happened to the Holy Foreskin, I had no idea how the book was going to end. So, not only I was I jump-up-and-down excited that my efforts had finally produced a conclusion on the relic, but I was also happy I was going to have an ending to the book, too.


There’s some pretty meaty religious history worked into the text. Could you give us an idea of the breakdown between research and writing time? Was it difficult to find a balance between the two?

I was—and still am—so obsessed with the history of the Holy Foreskin that it never felt like work to me. It was great going the Vatican Library and doing research and then spending the next day writing about it.

The most challenging part was actually balancing historical exposition and writing about my present search for the relic in the narrative. The transition between the two, while writing an accessible and comprehensive (and generally chronological) history of the relic, was almost like putting together a huge jigsaw puzzle in my mind.


What’s been the hardest thing about writing and publishing your first book? And the most fun, or satisfying?

The only way into Old Calcata / Photo: paulspace

For most people, the most difficult aspect is getting a publishing house to want to publish your book. As I mentioned above, I didn’t really have that problem. So for me one of the most difficult aspects was being able to shut out distractions while I was writing the book.

I wrote the first two-thirds of the book—60,000 words—in three months in Calcata, where I didn’t have very many modern distractions (like TV and the internet) and I wrote the last one-third of the book—30,000 words—in six months in New York City. If I had tried writing the entire thing in New York, I’d probably still be working on it. Now I understand the importance of writing colonies and retreats.


Finally, the inevitable question: What’s next for David Farley? Another book? Another weird town? Perhaps some well-deserved rest?

Trying to get the word out about An Irreverent Curiosity. Also, I’m just starting on another book project, but it’s in the very early stages, so I don’t want to go into much detail yet. I will say that it’s far from a travel narrative and will have much more consequence than stuff I’ve written in the past.

Community Connection:

Want to learn the craft of travel writing?

Sign up for Matador’s new Travel Writing School and get the skills you need.

Paris, France By the Numbers

23 Jul 2009 in By the Numbers by Kaitlin Mills
Kaitlin Mills offers a glimpse into her time in the City of Light, Paris.

Number of hours spent inside a plane to get to Paris: 20

Number of screaming children inside the plane: 3

Stairs climbed to get to the top of the Arc de Triomphe: 284

Minutes spent recovering from climbing those stairs: 10

Topless woman seen: 12

Strange etchings found in the concrete: 1

Number of pastries eaten per day: 4

Kilos gained: 3

Number of French words known: 1

Fellow Australians found in one tourist spot: 23

Dogs seen in the airport: 4

Number of times I looked the wrong way before crossing the street: 7

Times I almost got run over: 8

Number of proposals seen: 2

Armless statues seen: 1

Servings of cold tomato soup eaten: 0

Parisians annoyed: 12

Number of French flags seen: 51

Phallic symbols climbed: 1

Number of stairs up to my hotel room: 36

Number of times I got a blank look from the hotel reception guy: 15

Hours spent lost in a museum: 3

Number of times I was slammed up against the language barrier: 11

Pyramids seen: 4

Number of statues mistaken for real people: 1

Palaces seen: 2

Times I ate at McDonalds: 7

Photo: geoftheref

Times I eat at McDonalds when at home: 0

Tour guides that were helpful: 0

Number of annoying aunties following me around: 1

Naked gold statues seen: 1

People seen going into confessionals: 0

Kilometers from home: 16,962

Snails eaten: 0

Number of buildings mistaken for the Notre Dame: 2

Priests found inside the Notre Dame: 3

Number of times I ate Daffy Duck: 2

Topless women seen dancing with snakes: 1

Clear blue skies seen: 0

Days spent in the city: 13

Days until return trip: 367

Community Connection:

Flat broke but pining for Paris? Check How to Move to Paris with No Money , Top 10 Free Things to Do in Paris & How to Enjoy Paris for Free.

Write Spontaneously to Unleash your Inner Creativity

Writing spontaneously & without judgment can strengthen creativity and destroy writers block.
Getting Spontaneous

Photo:erichhh

Find a comfortable place.
An easy chair, a coffee shop nook, the end of a pier…
now write.

Don’t think. Don’t judge.

Merely allow yourself to experience the flow of creativity that seems to well up from nowhere.

Intuitive writing, automatic writing, free-writing, stream of consciousness, whatever you call it, spontaneous writing can be a very powerful exercise in your writing practice.

Spontaneous writing relaxes the mind and can annihilate writers block because you are not judging or limiting your expression, but simply letting it be what it is. Over time this practice will greatly strengthen your focus and flow on topic-based writing because your mind is conditioned to the act of spontaneous creativity.

This liberating and simple technique gained momentum during the surrealist movement in 1920’s Paris with writer/poet Andre Breton at the helm.

Breton instructs:

“Attain the most passive or receptive state of mind possible. Forget your genius, your talents, and those of everyone else… Write quickly with no preconceived subject, so quickly that you retain nothing and are not tempted to reread. Continue as long as you please.”

Your Turn

Take 5-15 minutes to scribble or type without fear or hope and you may be surprised what beautiful turns of wordplay and inspiration can be discovered by your unconscious mind.

Community Connection:

A thread on the Travel Writing & Photography forum has been created for you to share your spontaneous writing and help create a more supportive community of writers and travelers. Let’s all hold hands!

Want to learn the craft of travel writing?

Sign up for Matador’s new Travel Writing School and get the skills you need.

Get Your Pen Moving: ANIMAL ENCOUNTERS

Photos: Ckubber Feature Photo: What Silence

Around Matador, we hear a lot about amazing interactions between travelers and local people–but we don’t hear a whole lot about encounters between travelers and local animals.

This week, get your pen moving by thinking about amazing mammals, amphibians, insects, reptiles and fish you’ve met (or run from, or squashed, or ridden, or been attacked by…) on your travels.

Remember, while you’re free to write absolutely anything relating to animals and travel (after all, the idea is to get you writing), we’re less interested in abstract meditations on animal rights than we are in strong stories and descriptions. Bring us into the moment with you and your animal friend (or enemy).

If you’re new this week or need a refresher, you have one week to write anything you like within the scope of the “animal encounters” prompt. Send anything from three to 250 words to teresa@matadornetwork.com, along with your full name (or whatever name you’d like to be indentified by) and your Matador community page url. Next week, we’ll publish our favorite bits and pieces of the entries we’ve recieved.

If you haven’t already, check out previous “Get Your Pen Moving” submissions about food and homecomings.

Community Connection

Never connected with a member of another species? Check out Azriel Cohen’s article on how to connect to wild animals through your own primitive nature.

Losing My Travel Virginity: Beijing

21 Jul 2009 in Notes From Road by Kaitlin Mills

Photo: YoshimaiFeature Photo: US Department of State

Kaitlin Mills shares the moment she lost her travel virginity in Beijing.

Different people from every walk of life stuffed into a crowded plane for eight hours. Americans, Canadians, Londoners all sitting around me, the different twangs in their voices drifting over to me. I would never see them again once I stepped off the plane.

Walking through Singapore International Airport, watching guards walk past, holding machine guns high in front of their chests. My heart beating a little bit faster; unable to tear my eyes away; getting closer to something.

Getting into a taxi in Beijing, watching the country zoom past, greenery and poverty, elegant buildings next to shacks, people and possessions spilling out into the land. A sprawling college university, a town inside itself, gleaming, still newly built, next to a shanty town. The same people living their lives so completely differently with only a metre wide murky river to separate them. Watching a truck speed by, the doors wide open, people sleeping inside, people sitting there, nothing between them and the concrete dashing past.

A line of gardeners pulling out weeds all working together, their only job for the day in an overcrowded country, the same job one person could have done in an hour with a lawn mower. Five people in every aisle of the grocery store just waiting to help.

Photo: ppz

Getting completely lost in a city with more than three million people, knowing only Ni Hao as a single bit of Mandarin. People working on a three storey construction site with no safety equipment.

Haggling in a strange mix of English and Mandarin was almost at the edge. Pushing onto a crowded bus, now no longer bothering to say sorry in a language that wouldn’t be understood. Eating a meal that would never have been touched at home.

Trying to get a rapid heartbeat under control after climbing step after step, staring out into the distance as the crumbling wall faded into the distance was close.

Calling out a greeting in Mandarin to the guy climbing on the mountain picking up litter.

That was the moment.

Photo Essay: Day Hike to Camp Muir, Mt. Rainier

20 Jul 2009 in Photo Essay by Joshywashington
Join us on Mt. Rainier for a day hike up & across glacial fields, to 10,000 elevation for a view to live for.
All photos by Joshua Johnson
mt rainier from afar withe trees

1.“Looking up at the most heavily glaciated peak in the lower 48 states as seen from Paradise Lodge, Mt Rainier National Park. .’”

trees

2.“Mid-summer melts feed rivers and verdant alpine meadows. From the Skyline trail.’”

mt adams

3.“The air was clear at 9,000 feet and Mt. Adams faced us like an old friend at the door. Below a group of day hikers trudge up the glacial fields.’”

detail mt adams

4.“Mt. Adams detail.’”

dust in river

5.“Dustin refills his water bottle from a impossibly clear stream emerging at the base of a glacier.’”

glacial wrinkles

6.“Looking up towards the unseen Summit from Camp Muir, 10,000 feet elevation.’”

hikers

7.“Camp Muir, a popular overnight spot for summit parties was a small village of tents, rope, energy bars and unburdened backpacks.’”

paralax

8.“Mirrored paralax.’”

Coming Home to Oaxaca By the Numbers

17 Jul 2009 in By the Numbers by Teresa Ponikvar
Notebook editor Teresa Ponikvar breaks down her commitment to expat life by the numbers

Minutes it took to decide to move to Oaxaca after husband lost his job in Hidalgo: 3

All Photos: Ibis Alonso

Properties viewed: 12

Properties with complete houses viewed: 1

Properties with houses with the roof caved in viewed: 1

Properties with unfinished houses viewed: 1

Properties with unfinished houses purchased: 1

Windows installed: 5

Doors installed: 3

Floors tiles installed: lots

Solar panels installed: 5

Times I reminded myself to never, ever, think about “The Ring” while looking down the well: 27

Trips to buy materials stalled by teacher protests in Oaxaca: 3

Trips to buy materials stalled by burro-pulled carts making alfalfa deliveries in Tlacochahuaya: 8

Building code inspections: 0

Locally-owned businesses supported: 10

Friends and family members who donated their expertise and labor: 8

Round trips from Hidalgo to Oaxaca: 5

Households slept in while waiting for house to be finished: 3

Lots for sale nearby: 15

Family members and friends who have expressed interest in buying one of these lots: 6

Number of times I insisted to the neighbor that I didn’t want a puppy: 3

Number of puppies given to me anyway: 1

Sad, mangy dogs evicted from property after the arrival of said puppy: 3

Money left in our bank account in US dollars: $53.74

Nights we’ve slept in new house: 2

Nights we’ve slept insanely well and woken up to the sunrise over the mountains in new house: 2

WITNESS Video Tips: Filming, Audio & Using Cellphones

17 Jul 2009 in Video by Joshywashington
WITNESS is a human rights organization that utilizes video to to bring awareness to the world to human rights violations.

WITNESS has created a video toolkit to help you to use video more effectively in human rights and advocacy work. Designed for human rights activists and advocates, filmmakers, journalists and citizen journalists around the world, WITNESS is a friend of citizen journalists everywhere.

This video helps you prepare to:

  • Decide what and how to film
  • Get good audio
  • Use a mobile phone to film
  • Feature Photo by Aplomb

    Community Connection

    Grab that camera and get filming! Use Matador as your resource for video tips and inspiration.

Losing My Travel Virginity: Guatemala

16 Jul 2009 in Notes From Road by Rachel Ward
Photo: gringologue.
Rachel Ward recounts being 16 , a high school cheerleader, and how life in a rural Guatemalan village changed her forever.

I read a “Jonah and the Whale” storybook in poorly pronounced Spanish as two girls in dirty school uniforms squeezed on my lap.

Another child, barefoot and wearing a wraparound morga skirt and a floral-embroidered huipil blouse, braided my hair. She occasionally paused to readjust her baby brother, who she carried slung in a shawl on her back.

We sat outside a dim classroom with a cement floor and a tin roof, filled with rows of scratched up desks. The teachers, a pair of shy women barely out of high school, stared at me.

I was 16, in a very remote, very poor Guatemalan village. I’d come as a volunteer with a group from my high school. Before that my travel experiences were limited to sunbathing at Hilton Head or waiting in line for roller coasters at Six Flags.

Most of those nights I didn’t sleep, unaccustomed to the sounds–dogfights, honking buses, and roosters. I’d wake to morning mist rising over coffee fields and men hunched under towering loads of sticks trudging up the mountains. We washed dishes in the community pila beside women balancing jars of water on their heads.

A week earlier we’d stepped out of the airport into Guatemala City. Our hosts, a Canadian missionary couple, warned us of rampant carjackings and muggings (their housekeeper had experienced the former just that week), pointing out the broken glass and barbed wire atop the walls guarding the houses.

Guatemala City. Photo: vaticanus.

They advised us to avoid the mostly teenaged, machine-gun-toting police force that guarded nearly every public building, including churches.

When we arrived to the tiny village in the Chimaltenango province, they reminded us not to use the flea-infested blankets provided in the hospedaje and to check our shoes for scorpions in the morning.

An ancient peasant woman labored over our meals, mostly involving chicken soup (various bones and unidentifiable parts floating in broth).

We ate the same beans all week, watching them evolve into a new form each day until finally she pureed them and left them out to harden into bean loaf. The other volunteers gagged, but I ate every bite, throwing away my yearlong dedication to vegetarianism.

My adaptation to our circumstances surprised the group – they’d only known me as the shy, studious cheerleader who showed up for class in heels. But I found living without a mirror liberating, ignoring the stench and grime. How could I complain when the tireless elementary students insisted on working along side of us?

When not piling rocks in buckets or stabbing makeshift hoes into the dirt with startling efficiency, the children played in the construction rubble of the new school site, clawing up mounds of dirt or see-sawing on a wooden plank they’d laid on a rock. A hazardous building site that would be blocked off by yellow caution tape in the U.S. served as their playground.


On our last afternoon, the principal, Jeremías, announced that the teachers had planned a special snack.

He led us to a circle of desks where they served us corn tortillas piled high with lettuce and beets and topped with a boiled egg.

The American high-schoolers grimaced. The adult leaders were at a loss after their constant preaching that consuming homemade food or produce washed with the parasitic local water would surely lead to miserable illness.

The missionaries “accidentally” spilled their delicacies on the grass. A girl rushed over to replenish their plates. The cooks surrounded us, staring, anxious for our approval. I, ignoring the others, began eating. How could I not?

That trip forced me to consider that while I slept in a carpeted, air-conditioned bedroom with a closet full of clothes and a stereo system, much of the world lived and died in one-room shacks with dirt floors and owned only two changes of clothing.

After sharing a glass bottle of Coke from a dusty corner tienda with a dirty faced little boy in a faded Batman T-shirt, no charter bus tour will ever satisfy me.

All Aboard!

15 Jul 2009 in Notes From Road by Joshywashington

A swim out to sea brings new friends off the coast of Hoi An, Vietnam

Under a westering sun, dozens of fishing boats bob in the waves. I swim towards them. Now a good 100 yards from shore, it is just me and the snacking, napping crews whose vessels dot the horizon.

As I am spotted, a rotund, tattooed fellow stands on deck and waves his arms like a man in desperate need of rescue. All eleven men on the boat are shirtless and bronzed like church bells and rub hairless pot bellies with supreme self satisfaction.

The boat’s hull heaves up and down, crashing with the waves. As it dips low I grab hold of the deck rail and am lifted up and out by the next wave.

I’m dripping sea foam on the aft deck and the crew gawks at me like I just jumped out of cake.

A soggy space is made for me in the tight lunch circle. A tall jolly man who is minus one eye is slap-knee belly-laughing and has been since they saw me in the waves. Rice and fish dribbles out of his mouth and down his chest to collect on his belly.

A yellow two liter fuel container is passed forward and clear fluid is poured into a mug that is polished with a grimy shirt.

The one-eyed laughing man sees the fuel jug and doubles over, turning red. A few ample swallows of rice wine sloshes in the mug.

A fuel jug is apt storage for this evil brew, it burns the gullet like propane.

Grimacing theatrically, pounding my chest and shouting Oh my God! in Vietnamese, I slam the mug down like a satisfied cowboy and they chatter and grin and elbow each other.

A much more ambitious portion of hooch finds its way quickly into my mug and the game is now how much of this nasty juice will the gleefully aquatic American drink. I sniff the mug theatrically and look up in mock worry. They guffaw and rice cascades out of their mouths.

I chant, Mot, Hai, Ba, YO!! (1,2,3,cheers!), and fresh gales of laughter follow. Already feeling the notorious effects of the rice liquor, I pat my belly like Santa Claus and stride to the end of the deck.

Instead of getting too drunk to swim back to shore I want my exit to be as sudden and dramatic as my entrance.

They turn in unison, grinning, bewildered and thrilled at my sudden appearance and exit.

I dive back into the sea as a wave lifts us up and up.

A sour burp stings my nose and my stomach clenches into a fist. Turning back to see the crew all crowding to watch me go I wave and wonder if I should have stayed for one more drink.

Community Connection:

I spent 6 months in Saigon teaching English and so can you.

Have a note from the road you want us to review? Send it to david@matadornetwork.com

Want to learn the craft of travel writing?

Sign up for Matador’s new Travel Writing School and get the skills you need.

You Got Your Pens Moving: COMING HOME

Photo: historiesinrust

There was definitely no concensus among the Matadorians who responded to this week’s prompt. They saw “coming home” as everything from a relief to a burden; the gateway to another adventure, or an adventure in itself.

Check out these excerpts from their work, and take your pick of new perspectives on your next homecoming!

“I’ve found that sometimes, particularly after a protracted absence, coming home has as much to teach me as going away.”
Tabatha Smith

“Sometimes people are shocked that I never went “home” during my two years in Lesotho as a Peace Corps volunteer. I think that they can’t really imagine that a small hut in a small village could become my home. Being a bit world-weary and cynical myself, maybe I couldn’t imagine it either. It happened, though.

Photo: m-louis

I can actually pinpoint the exact time when I realized that my village was my new home. My first winter break from school was amazing. We went hiking on South Africa’s Wild Coast, and then I lived it up in Cape Town, treating myself to lattes and bagels and anything else I couldn’t get in my village. A train and several mini-bus rides later and I was back in Lesotho, walking the last 7 K over the pass to my village.

And there it was, my valley, my mountains, my home. Even with all the fantastic things I had done and seen on my vacation, and even though I’d only been in the village for six months, I felt everything you feel when you finally get home: relief, pride, comfort.”
Stacey C.

“Coming home… feels like surrender.”
Mike

“There are two lines in front of me: Brazilians and tourists. The three weeks spent in my home country, in the land where I was born and grew up, are a clear indication that I am a foreigner, just like most of my fellow passengers. Yet I seem to fit neither of the options: I am not entering on a tourist visa, but two years in Brazil do not make me Brazilian.

I freeze, and a migrations officer notices my hesitation: “Are you a foreigner? Here is the line for tourists.” I flash the appropriate page on my passport: “I’m not a tourist. I’m a resident.” He smiles and points me towards the line for Brazilians. I breeze through immigration and customs, leaving all other foreigners behind.”
Ernest Machado

” ‘Coming Home’ hangs like a dusty, renaissance oil painting in the unknown gallery of my soul.”

Photo: hjl

Ant Stone

“I remember when I was only eight, and my aunt and uncle were in the West Bank, using their shiny US passports to get Israeli soldiers to let the Palestinian family they were staying with plow their fields. They put my new email address on the list for their emails home, and so I became a rare American eight-year-old: informed at length about the Israeli-Palestinian conflict.

One day, I got excited because the subject line was ‘Back in the usa’. Opening it, I realized that ‘Back in the usa’ meant ‘[we] arrived in NYC yesterday, and we are leaving for Belize, Guatemala, and Chiapas, Mexico tomorrow.’ I didn’t see them that homecoming.

For me, the idea of homecoming has always come with the expectation that leaving will not fall far behind.

The travelers in my life went directly from Palestine to Belize. Even when they got back from Kenya and Uganda, their vagabond days over, they began planning: ‘Well, teaching public school takes up lots of time, but if we leave Christmas day, we can still go back to Mexico for a week and a half before school starts. And then there’s always spring break – let’s go scuba dive in Bonaire. And yeah, summer school will get the Masters more quickly, but there’s still time for a fast tour of Europe and a road trip around the West Coast.’

The way I know it, homecoming is another way of saying ‘Here we go again!’ ”

late_stranger

Community Connection

Liked something you read here? Take a moment to follow the links to the writer’s Matador community page and leave a note.

Other thoughts on coming home? Share them in the comments!

3 MORE Things to Never Tell an Editor

Image: Kristian D.

A peek inside a Matador editor’s inbox…and what you can learn from it.

1. “Please hurry up reviewing my submission. I have a family emergency [or health problem or other urgent need to make some cash] and need the money, even though you pay less than other publications.”

This message—excerpted from an actual e-mail we received recently from a writer whose work we’d never published before—was problematic for a few reasons.

First, the writer was imposing his or her own sense of time and urgency upon the editor and the publication’s established process for reviewing submissions. Most publications, print and online, receive dozens, if not hundreds, of submissions every week. We actually read and respond to every one of them.

Doing so, however, takes time. It’s unfair to expect that your article will be fast-tracked for any reason, and it’s unreasonable to pressure an editor to work more quickly. If you’re looking for job stability and a regular paycheck, writing probably isn’t the best profession for you.

Second, the writer was making his problem the editor’s problem. Though it’s occasionally appropriate to disclose your personal circumstances, that’s often only the case when you have already established a close working relationship with an editor. Remember: the relationship between a writer and an editor is one of collegiality. You need to remain professional.

Third, the writer’s message assumed that we would be publishing his article. It was presumptuous.

Finally, the writer gave a passive-aggressive jab about the article pay rate. If you don’t feel comfortable with a particular publication’s rate, then don’t waste your time or the editor’s time by compromising yourself and arguing over dollars and cents. You’ll only regret your decision later.

2. “I’ve submitted this article to three other magazines.”

Not only should you not tell an editor this; you shouldn’t DO it. Multiple submissions may seem to be a time-saving device for you as a writer, but they’re a time-waster for editors.

Reviewing a writer’s submission is a time-intensive process requiring thought and attention; it often involves multiple members of an editorial team. If you’ve submitted your article simultaneously to other publications and one picks it up before the others do, you’re forced to notify the editor that the piece has been accepted elsewhere.

Writer, beware: you’ve likely burned a bridge that won’t easily be rebuilt.

3. “I submitted an article a few weeks ago. Are you going to publish it?”

We encourage writers to check on the status of their article if they haven’t heard from us within 4-6 weeks after submitting. However, including some identifying information—such as the name or topic of the article—is not only helpful; it’s essential.

Community Connection:

What are three other things you should never tell an editor? Read our first article on the subject here.

Want to learn the craft of travel writing?

Sign up for Matador’s new Travel Writing School and get the skills you need.

The Protector of Tophane

10 Jul 2009 in Notes From Road by MaryAnne
There had been a distinct increase in the occurrence of random ululating in my Istanbul neigbourhood earlier that week.

My flatmate and I had written this off as seasonal declarations of random excitement, or perhaps a sudden arranged marriage or engagement. The women’s voices below rose and fell, their tongues creating a long, trilling, high-pitched sound like the howl of a wolf.

The neighborhood. Photos by the author.

I would lie in my windowbox bed at night and listen as it trilled off into a horsey whinney, somewhere in a neighbouring flat.

However, one night we discovered that the ululating actually had a reason: one of the local boys was being shipped off for his compulsory military service and the whole neighbourhood was getting quite giddy and garroulous about it.

Boys of all sizes started milling in the streetlamp light at the crosshills in front of our flat around midnight, lighting flares and firing capguns into the sky like a Black Sea wedding gone Kurdish.

Slowly the number of milling boys swelled to include bearded and capped old men, covered and uncovered women in raincoats and black cloaks, galloping children, terrified cats, and one decidedly nunlike grandmother draped in black with white lace pulled up around her jawline, wimple-like.

The boys on the hill spent a few hours just running around randomly and jumping over ledges and shouting, until two cars, decidedly 80s model Sahin sedans, drew up below our flat, draped in the Turkish flag, and the crowd swelled immediately. A mighty roar erupted from the mass, and a hundred men and boys linked arms and shouted and roared and bounced up and down, forming a snaking circle around the quiet, lightly bearded soldier boy.

Boasting and praising bellowed chants ensued, with the hordes raising fists to the air and declaring him to be the greatest soldier ever, the protector of Tophane (our neighbourhood), the hero (so brave!). More gunshots, firecrackers and horsey ululations, and a unified fierce stomping mass, up and down, up and down.

The mass broke into two parts, very West Side Story like, with the Jets backed up against the Christchurch Cathedral and the Sharks crouching down in front of the crappy mean corner shop (who overcharged us regularly on milk and bread).

The Jets shouted something in unison, with arms flying over their heads to point accusingly at the Sharks, and the Sharks retaliated, call and response. For half an hour. Shout and point. Point and shout. Roar roar roar. Then they joined together again, shouted some morale building soldier songs, jumped up and down repeatedly, did a little dance, made a little love, got down, and so on.

The Jets did a few rounds of Allahu Akbar from the edge of the church wall, and the Sharks replied with something in Kurdish: both interesting omens for the boy’s entry into the fiercely secular and nationalist Turkish military.

They picked him up and tossed him around a few times over their heads for good measure. I could see his horizontal form flying up toward our windowsill then disappearing down from sight. Then the digital cameras sprang out and flashes filled the lamplight as soldier posed, with weeping little brothers and apple-faced placid grandma and dozens of random neighbour boys and siblings and cousins.

More jumping and shouting, with a juxtapositional Besiktas-football-team chant thrown in when they ran out of soldier chants. Things only dispersed when the boy very sudenly got stuffed into into one of the flag draped cars at 2 am and freed up the 3- hour traffic jam on our very narrow lane.

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